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The Curator Contest - Bring it on!

The annual Curator contest, in search for outstanding and undiscovered fine art photography, has begun. Find your best shots and submit them by the March 26th deadline.  

Winners will receive a bunch of prizes, including $200 of Moab paper.  But the BIG(ger) prize will be the exhibition of your work in a NYC gallery that will be open to the public.

Categories are:

Portraits/Nudes
Installation/Still Life
Abstract/Mixed Media
Nature/Street Photography 
Photo Essay/Reportage
Student Work 

What are you waiting for? Submit your images here.

The Fine Art of Digital Printing: How to Display Inkjet Prints

Here are some excerpts from an interesting article by Ctein we found at www.masteringphoto.com

Assuming indoor display at normal light levels, the worst “good” print paper I know of is Epson Velvet Art, a rather primitive material by current conservator standards, Its display life’s 35 years, unprotected. Everything else I’ve looked at checks out at 45–70 years. No prints of value, though, should be displayed without protective glazing. Dust, dirt and other sorts of aerosol and particulate matter in the environment will settle on the surface of the print. Putting prints behind regular framing glass or acrylic increases the range of display lives from 75–120 years, with 85–100 being typical. UV-absorbing glass will improve that by another 60–100%.

Some folks recommend “airtight” framing, to protect prints from gaseous compounds that could attack them. No such thing exists. You cannot make a hermetically sealed frame at any reasonable price. Hazardous gaseous pollutants will diffuse in through any available path at a rate sufficient to attack the print. It doesn’t take a lot, and they’ve got decades. Once you’ve protected the print from aerosols and particulates with simple glazing, you’ve done all you can reasonably do.

Frames that are too “tight” will tend to concentrate any compounds that are generated or outgassed within the frame environment. This is a known hazard for prints. In general, more damage has been done to photographs and art prints over the ages by “protective” materials than anything else, simply because they are in close proximity to the artwork.

The safest course is to use all-metal frames and make sure the the overmatte and backing board are museum-grade, acid-free boards. Use linen tape or adhesive mylar corners to mount the print. As best as we currently understand inkjet prints, if you follow these recommendations inkjet prints are likely to substantially outlast conventional darkroom prints on display.

WPPI Day 2

Man, what a busy show! WPPI is one of the best shows we do and this year is no exception. We're meeting tons of interesting people.

The buzz is all about Slickrock - especially as photographers can now produce their own metallic prints themselves.

Most of the images in our booth are from Chris LaLonde. Since his portfolio of work is so diverse we've been able to experiment printing a bunch of different image types onto Slickrock. The white wedding image you see in the background has an almost luminous glow to it.  Kind of hard to describe, but it's amazing what this paper does for an image.

If you're in Vegas and haven't stopped by to see us - What are you waiting for?! Just follow the orange glow to Moab (booth 530).

Live from WPPI

We made it! The booth is constructed, the sample prints hung and the spotlights focused on Slickrock Metallic.  We're excited to be back at WPPI - the largest show in the US dedicated to Wedding and Portrait photographers.

The new Canon Pixma Pro-1 printer is churning out prints in our booth (#530). If you haven't seen any prints from this puppy then stop by to pick up a souvenir printed on Moab. You'll be blown away at the print quality (not to mention the exquisite paper that it's printed on).

Moab Master, Christian LaLonde, conducted a master class this morning entitled, "Making a Sandwich - All the Elements to a Superior Image."  Chris spoke about his layering techniques to his signature images. Each attendee received a free Moab sample box.

More tomorrow on Day 2 of the show.

Moab at the Academy Awards

Step aside George and make room on the red carpet for lil' ol' Moab!

Each of the 20 acting nominees for the Academy Award were recently photographed by famed photographer (and Moab Master) Douglas Kirkland. The exhibit Out of Character is currently on view through March 18th at The Academy Grand Lobby Gallery.

The exhibition is free and open to the public.  When you stop by please take note of the paper.  All the prints were produced on Kirkland's fav paper, Entrada Rag Natural 300.

We do have the answer to your burning question: The answer is "yes', you will look like George Clooney (or Meryl Streep) if you use Moab.

Famous Photogs Pose With Their Most Iconic Images

The title (and image) says it all.

Moab Master, Douglas Kirkland, is featured among some of his peers in this Wired magazine tribute to the people behind some of today's most iconic photos.  

Photographer Tim Mantoani captures each portrait with the enormous 20×24 Polaroid format.

"Over the course of the project, some of the photographers who participated passed away. Polaroid went belly up, making 20×24 film that much harder to come by. The weight of each photo’s importance as a historic document became more apparent with each loss."

We're heading to New Orleans

We're packing up the crates and trekking down to the Big Easy this weekend for the annual ImagingUSA show.  

The spotlight in our booth will be focused on the new Slickrock Metallic Pearl. If you've been pondering whether to give this paper a test-drive, then swing by our booth #316 to pick up your free sample.

We'll also be showing (and sampling) the Museo range of fine art inkjet papers, including their 100% cotton Artist Cards. 

Hope to see you this weekend.

A pivotal year for digital printing

Our friends down under at Giclee Media drafted a rather poignant newsletter today that we'd like to share with the rest of the Moab community:

Many of us began by dipping silver halide papers into foul smelling chemicals under deep orange safe lights and became forever hooked on the photographic process.

Today the 5th January 2012, it was reported in The Wall Street Journal that Kodak may file for bankruptcy.

The name Kodak, coined by George Eastman, its founder, almost defined photography for 130 years. Australians such as myself, who grew up in the Northern Melbourne suburbs knew many fathers who worked at the giant Kodak factory in Coburg making Kodacolour, film and printing papers.

This rather sad omen for the possible ultimate death of silver based processing should have been expected after the collapse of Agfa. This is a message to all photographers that the only viable printed image is that from a pigment inkjet printer.

Our Moab Lasal Exhibition Luster 300, typifies the outright quality that inkjet can produce being much heavier and with a wider colour gamut than common silver halide papers. Colour Silver based papers are typically around the 230-250 gsm mark, much lighter than high end inkjet papers and therefore there can still be a cost advantage in printing by the old methods - if their manufactures remain viable.


So 2012 will become a pivotal year for digital printing. Not because of any fundamentally new inventions but because it may define the time period by which the majority of professional printing is done on a wide format or desktop inkjet device.

Farber's "Nuestro Mexico" / "Our Mexico"

The acclaimed American photographer, Robert Farber, was commissioned by Juan Gallardo to document Mexico.

Through an an extensive tour of the country, "Farber was able to capture and convey, in a beautiful, wordless way, the essence of the values, among others, Mexicans have chosen to remember, inspire and strengthen: Their sense of pride, their devotion to work, faith and family, their joy of life, and the beauty that surrounds them."

The result is this gorgeous Red Silk wrapped portfolio box (18x24 inches, 46 x 61cm) which includes a collection of four limited edition prints, signed and numbered plus signed title page all printed on Somerset Enhanced Velvet fine art archival paper.  

Aside from this limited edition portfolio project, there are exhibitions being organized for Mexico, NorthAmerica and other countries around the world.

Moab wins two awards

As the year comes to a close we're excited to annouce two industry awards that Moab received. Professional Photographer's of America honored our Slickrock Metallic Pearl 260 and the Lasal Exhibition Luster 300 with HotOne 2012 awards in the Fine Art Paper category and the Semi-Gloss/Luster Paper category, respectively.

The Slickrock Metallic Pearl paper got another nod from the editors at Digital Photo magazine who gave the paper their Editor's Choice award.

It's only natural that we think our papers are awesome, but it's nice to be recognized once in a while by our industry.  If you haven't tried the Slickrock Metallic or Lasal Exhibition Luster papers yet (and want to find out what all the excitement is about) then contact us for a free sample.